There

Joyce and I joined my former students William and Morgan Willer who directed and produced the short film, "There."



Joyce served on crew, and I played a father in search of his daughter during a storm who finds that he has to decide between getting her to safety and bringing a woman in labor to the hospital in his two-seat car.





You Should Be THERE: A Short Film from William Willer on Vimeo.

Joyce played my character's wife while the cameras weren't rolling. It was a sociodrama to help get our 22nd screen daughter ready for an emotional phone call. We were all deeply moved by the experience, and hopefully you'll hear that in her performance.

It was an official selection at the Christian Worldview Film Festival and the International Christian Film and Music Festival, where I was nominated for Best Lead Actor in a Short Film.



They created this brilliant fundraising video for the project:

William and Morgan attended the Rocky Mountain Christian Filmmakers Camp in 2016. William was on the filmmaking side, and Morgan was one of my actors. Our film for that year, "Felicia's Pledge": www.RichDrama.com/FeliciasPledge. The next summer the siblings switched places and I got to work with William. Our short film that year was "Milk and Oranges": www.RichDrama.com/MilkAndOranges.

We also got to work with other Rocky Mountain Christian Filmmakers Camp alumni: Rebekah Stought, who plays the expectant mother, did both camps in the summer of 2015, when we offered two week-long camps back-to-back. Click here to see the film Rebekah directed and the two in which she performed.

Gwendelynn Martindale was a filmmaking student, and she wrote, produced and directed her own short film, "One Day."



Though RMCFC alumna Gabby Campana needed to be out of town during filming, she helped with pre and post-production. While we were there we got to see her in a really fun short she starred in with the Willers.

McKenzie set up a performance and

workshop for me in her church in

Albuquerque. Her brother, Matt,

also worked on "There."

While we were on set, RMCFC alumna McKenzie Harris got a call-back to play the lead in a Lamplighter Theatre production, of The Treasure of the Secret Cove. The production team listened to over 250 auditions without considering who the actors were. They were shocked to discover McKenzie was also an alumna of the Lamplighter Guild, where I got to teach this summer.

Of course, my own bride attended the Rocky Mountain Christian Filmmakers Camp as well. The short she directed (...for one scene, and she did cinematography, lighting and sound for other scenes) is now online: www.RichDrama.com/MilkAndOranges.



Here's a great review of "There":

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Sign up for the announcement that registration is open for the next Rocky Mountain Christian Filmmakers Camp.

Lamplighter Theatre

Crystal Van Artsdalen, Rebekah Stought,

Rachel Marley and Morgan Fairbanks

have been my students at MasterWorks

 and The Rocky Mountain Christian

Filmmakers Camp.

I played several roles and served as Afghan accent coach in the audio dramas Escape from the Eagle's Nest and The Giant Killer for Lamplighter Theatre, part of Lamplighter Ministries (www.Lamplighter.net).



Both shows were broadcast on over 1600 radio stations in 30 nations.



The Giant Killer is now available, and on that page you can hear my voice in the Behind the Scenes Recordings at 19 seconds and 1:23.



Escape from the Eagle's Nest is also available. You can see and hear my contributions in the video below...



Both stories are based on books by A.L.O.E., which stands for A Lady of England. It was the pseudonym she used to get those and many other books published in the 1800s.

In the booth with Israel Oyelumade,

Rachel Marley and David Sanborn.

After I was cast as a cook (to perform the role, not to actually prepare food), I was asked to recommend someone who could play an Afghan who grows from a little girl into a married woman. I recommended some of my students, and they chose Rachel Marley. Besides being my student numerous times she was on our performing arts team in Sochi during the 2014 Olympics. What a delight to work with her and have several scenes together.



A few weeks after they cast Rachel, producer John Fornof told me there were visa issues. They used to record in London, so that's where all their contacts are. John’s US contacts are union actors. He asked if I could get the word out to my nonunion contacts in case the visas did not come through since just about everyone besides Rachel and I were coming from the UK. This was the first time they invited people to watch the process, so dozens of observers were signed up, coming to Mt. Morris, NY, from as far as North Dakota.

Nathan "Nato" Jacobson and I have

been a part of four films together.

I sent out about 350 emails to students and colleagues who turned in 189 auditions. John and executive producer Mark Hamby said they had perfect peace about the situation and were sure the visas would come through but if not, God would provide. When the final word came that the visas were denied John and team went through all the auditions in two days, normally a two-week process! The casts were announced on Friday and Saturday and we began recording on Monday!

Garry Nation and I (who share three

film credits) got to play giant brothers:

He was Sloth, and I was Selfishness.

The only one from the UK was Israel Oyelumade, who volunteered his time to bypass the need for a visa! Before I performed Beyond the Chariots for the community he shared how the Lord had led him to play Jesus in a massive Passion play. It was done outdoors with 300 actors.



I was delighted that Lamplighter Theatre cast four of my students, and that I got to perform with colleagues from numerous films. My friend David Sanborn was cast in twelve of the 17 roles for which he auditioned, and then he picked up others along the way.



Working with so many great friends in and of itself made it one of my favorite weeks, but the highlight came through a new friend, Akmal. Patrick Powell the director of Escape from the Eagle's Nest found him on an internet search. Akmal lived his first twelve years in Southern Afghanistan, where the story takes place! He translated passages from The Sermon on the Mount, Revelation and Isaiah into Pashto, and then he came up with a tune inspired by music from his homeland and recorded himself singing the Scripture while he played keyboards underneath it.

John Fornof and I in London where

he directed me in The Dragon and

the Raven.

Our director for Escape from

the Eagle's Nest, Patrick Powell,

is one of a very small number

of actors who have performed

St. John in Exile by Dean Jones.

David Sanborn sang the Scriptures with our friend's tune, then he led the rest of the cast humming the tune. We were portraying the Afghanis who began by shouting down the foreigner. Then, as they were hearing words of life in their heart language, sung with a familiar tune they quieted down, and slowly started to join, humming the tune. I got to direct small groups who joined as the Scripture moved along. Once all of them had joined in, something extraordinary occurred. As had happened when he was singing the Pashto translation, David became overwhelmed with what was happening. We were all touched at a very deep level, so much so that everyone observing, including the director, were weeping. Executive Producer Mark Hamby compared it to the tongues of fire that fell on the disciples at Pentecost (Acts 2)!



I'm so thrilled with how it turned out!



Throughout production there were Lamplighter Live students observing the process and jumping into the group scenes!



Here's the story of how it all came together:

Below you can hear my voice at :02, 1:03, where I'm performing with two former students, and see my "sword fight" at 1:05.





Below you can hear me at :25.